The Screenwriters Speak: An Analysis of Their Professional Practice
Main Article Content
Abstract
This article analyses various characteristics of Spanish national fiction, particularly that broadcast during prime time, through the perspectives of around twenty currently active screenwriters. Drawing on their professional experience and responses, this qualitative study aims to reveal the extent to which national fiction is rooted in generalist and realist (costumbrista) content, whether stereotypes are used to construct characters, and how their use may vary depending on the production company’s working model. It also explores the degree to which reality is used as a source of inspiration for series creation, including characters, plots, and themes.
Downloads
Article Details
Issue
Section

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Miguel Hernández Communication Journal is an open access magazine. To publish on MHCJ, the authors accept the following terms:
- The authors will retain their copyright and guarantee the journal the right to first publish their work, which will be simultaneously subject to the Creative Commons Atribución/Reconocimiento-CompartirIgual 4.0 Internacional, which allows third parties share the work as long as its author and his first publication in this magazine are indicated.
- Authors may adopt other non-exclusive license agreements for the distribution of the version of the published work (eg, deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this journal is indicated .
- Authors are allowed and recommended to disseminate their work through the Internet (e.g., in institutional telematic archives or on their website) before and during the submission process, which can produce interesting exchanges and increase citations. of the published work. (See The effect of open access).
- The document RESIGNATION OF PERCEPTION OF BENEFITS OF COPYRIGHT is intended for the print publication of MHCJ by the UNIVERSITAS publishing house. Both authors and publishers renounce the collection of economic benefits, if any, when the aforementioned publisher takes over the entire cost of printing, distribution and dissemination.
How to Cite
References
Benney, M., Y Hughes, E. C. (1970). Of Sociology and the interview. En Norman K. Denzin (Comp.). Sociological Methods: A Sourcebook (pp. 75-98). Chicago: Aldine.
Cruz, C. (2014). Imágenes narradas. Cómo hacer visible lo invisible en un guión de cine. Barcelona: Laertes.
Denzin, N. K. y Lincoln, Y. (2012). La investigación cualitativa como disciplina y como práctica. En Denzin, N. K. y Lincoln, Y. (Coords.), Manual de investigación cualitativa. Vol. 1. (pp. 43-102). Barcelona: Gedisa.
Egri, L. (2009). El arte de la escritura dramática. Fundamentos para la interpretación creativa de las motivaciones humanas. México: Universidad Nacional autónoma de México.
Field, S. (1998). El libro del guión. Fundamentos de la escritura de guiones. Madrid: Plot.
Glaser, B. y Strauss, A. (1967). The discovery of grounded theory: strategies for qualitative research. Nueva York: Aldine Publishing Company.
Gutiérrez, J. S. (2018). “El guión cinematográfico. Su escritura y su estatuto artístico”. Revista Signa, 27, pp. 523-539
< http://revistas.uned.es/index.php/signa/article/view/21855/17918> (en línea; fecha de consulta: 12 de julio de 2019)
Machalski, M. (2006). El guión cinematográfico. Un viaje azaroso. Buenos Aires: Catálogos.
Müller, F. (2009). Entertainment anti-racism. Multicultural television drama, identification and perceptions of ethnic threat. Communications. European Journal of Communication Research, 34(3), pp. 239-256.
Sánchez-Escalonilla, A. (2016). Del guión a la pantalla. Lenguaje visual para guionistas y directores de cine. Ariel: Barcelona.
Sangro, P. (2011). La práctica del visionado cinematográfico. Madrid: Síntesis.
Taylor, S. J. y Bogdan, R. (1996). Introducción a los métodos cualitativos de investigación. Barcelona: Paidós.