From love to the sinister in Blade Runner 2049
Main Article Content
Abstract
The article addresses the sinister in Blade runner 2049, starting with the elements and themes that, according to Freud, were the carriers of the phenomenon. The objective is to check if the mere presence of these in the film is enough for the sinister to erupt. Another way of checking the sinister's presence is by looking at the filmic materiality tearing the codes of the hegemonic mode of representation. This way the phenomenon would reach all the radicality of its manifestation. In order to do this, we will base ourselves on various sequences that establish the relationship between Joi and `K´ and the one between Deckard and Rachel. It is in these relationships where the sinister takes shape from love and death in the figure of the woman who returns from death. We will also focus on the connection that is established between the sinister and the result of combining the resistance of the subject with the images of capitalist consumption.
Downloads
Article Details
Issue
Section
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 Unported License.
Miguel Hernández Communication Journal is an open access magazine. To publish on MHCJ, the authors accept the following terms:
- The authors will retain their copyright and guarantee the journal the right to first publish their work, which will be simultaneously subject to the Creative Commons Atribución/Reconocimiento-CompartirIgual 4.0 Internacional, which allows third parties share the work as long as its author and his first publication in this magazine are indicated.
- Authors may adopt other non-exclusive license agreements for the distribution of the version of the published work (eg, deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this journal is indicated .
- Authors are allowed and recommended to disseminate their work through the Internet (e.g., in institutional telematic archives or on their website) before and during the submission process, which can produce interesting exchanges and increase citations. of the published work. (See The effect of open access).
- The document RESIGNATION OF PERCEPTION OF BENEFITS OF COPYRIGHT is intended for the print publication of MHCJ by the UNIVERSITAS publishing house. Both authors and publishers renounce the collection of economic benefits, if any, when the aforementioned publisher takes over the entire cost of printing, distribution and dissemination.
How to Cite
References
Alemán, J. y Larriera, S. (1998). Lacan: Heidegger. El psicoanálisis en la tarea del pensar. Málaga: Miguel Gómez Ediciones.
Bassols, M. (2011). El caballo del pensamiento. Granada: Editorial Universidad de Granada.
Bauman, Z. (2000). Modernidad líquida. Buenos Aires: Fondo de Cultura Económica (FCE).
―-(2005): Amor líquido. Acerca de la fragilidad de los vínculos humanos. Buenos Aires: Fondo de Cultura Económica (FCE).
―-(2013): Vida líquida. Barcelona: Austral.
Burch, N. (1985). Itinerarios. La educación de un soñador del Cine. Bilbao: Caja de Ahorros Vizcaína.
Freud, S. (1992a). Duelo y Melancolía. Obras completas, XIV, Buenos Aires: Amorrortu Ediciones.
―-(1992b): Lo Siniestro. Obras completas, XVII, Buenos Aires: Amorrortu Ediciones.
Fukuyama, F. (1992). El fin de la historia y el último hombre. Barcelona: Planeta.
Gómez Tarín, F. J. (2006). Guía para ver y Analizar: Al final de la escapada. Jean-Luc Godard, 1959. Valencia, Barcelona: Nau Llibres, Octaedro.
―-(2007): The Curse of the Cat People: presencia de lo siniestro (Val Lewton como exponente).
Revista Latina de Comunicación Social, núm. 33, La Laguna, septiembre. Recuperado de http://apolo.uji.es/fjgt/Curse.PDF
González Requena, J. (2010). Lo Real. Trama y Fondo, Número 29, Segovia: Asociación Cultural Trama y Fondo. Recuperado de http://www.tramayfondo.com/revista/libros/142/01_Requena.pdf
Hegel, G.W.F. (1966): La fenomenología del espíritu. México: Fondo de Cultura Económica (FCE).
Heidegger, M. (2003). Ser y tiempo. Madrid: Trotta.
Hoffmann, E.T.A (2016). El hombre de arena. Nocturnos. Madrid: Alianza Editorial
Kojeve, A. (1982). La dialéctica del amo y del esclavo en Hegel. Buenos Aires: La Pléyade.
Lacan J. (2015). El seminario. Libro 10, La angustia, Buenos Aires: Paidós.
Palao, J. A.(2004). La profecía de la imagen-mundo: por una genealogía del paradigma informativo. Valencia: Ediciones de la Filmoteca.
Recalde, M. (2014). Angustia. Un real para el siglo XXI. Volumen del IX Congreso de la Asociación Mundial de Psicoanálisis, Buenos Aires: Grama Ediciones.
Stam, Robert (2001). Teorías del cine. Barcelona: Paidós.
Trías, E. (2006). Lo bello y lo siniestro. Barcelona: Debolsillo.
Žižek, S. (1994). Todo lo que siempre quiso saber sobre Lacan y nunca se atrevió a preguntarle a Hitchcock, Žižek, S. (Comp.). Buenos Aires: Manantial.