Published: 2026-01-30

MON. Audiovisual production in the streaming era

Audiovisual Production in the Streaming Era: Transformations, Narratives, and Global Challenges

Lorena Antezana, Carlos Gutiérrez-González

15-19

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Emerging narratives in Spanish cinema: Thematic diversification in contemporary (local) production

Miguel Martínez Navarro, Almudena Muñoz Gallego

21-39

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Relationships in the adaptation of graphic novels to televisión fiction. The case of La Fortuna (Movistar+, 2021)

Javier Mateos-Pérez

41-58

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Crime on demand: formats, narratives, and gender representation in Spanish true crime for VOD platforms (2016–2025)

Patricia Palomares-Sánchez, Jorge Abad-Pérez

59-79

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Governance and incentives in the streaming era: lessons from Andalusia for the Valencian Community

Pablo Jesús Huerta Viso

81-101

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Changes of the Chilean telenovela industry in the Digital Age

Alejandro Bruna Silva

103-122

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Women in politics facing harassment:two stories and three on-screen representations

Bénédicte Brémard

123-139

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The economic impact of advertising on Netflix, Prime Video, Disney+ and Max. From SVOD to AVOD

Fernando García Chamizo, José Manuel López-Agulló Pérez-Caballero, Belén Ávila Rodríguez-de-Mier

141-169

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From Antena 3 to Netflix: The rise of Money Heist as a global phenomenon.

Joana Doñate Ventura, Esteban Galán Cubillo, Javier Marzal Felici

171-193

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Miscellaneous

TikTok and Political Communication in Peru: Content, Trends and Themes

Gabriela M. Calderón Sueyras, Alberto E. López-Carrión

197-216

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Tracing the genesis of screendance and its relationship with audiovisual discourse

Alma Llerena Fernández, Víctor Manuel Barbera Hernández

217-235

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The RTVE Play Platform as a Public Audiovisual Communication Service: A Model in Need of Rethinking

Manuel Barreiro Rozados, Pablo Calvino Tato, Óscar López Iglesias

237-260

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Virtual Influencers on Instagram: Benefits and Challenges for Brands in the Digital Age

Juan-Manuel Corbacho-Valencia, Jesús Pérez-Seoane, María-Isabel Míguez-González

261-278

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