Facing Exclusion: Towards a Critical Pedagogy of the Image

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Edwin Culp

Abstract

This article offers a critical reflection on images as contested territories within contemporary dynamics of inclusion and exclusion. Confronting systems of exclusion that operate through representation, we propose shifting from the politics of the gaze toward the materiality of images, understanding their surfaces as sites of exchange and transformation where tensions between visibility and invisibility are played out. Imagination operates as a political and material faculty, transindividual in nature, capable of reconfiguring existing images and opening possibilities for resistance against the precarization of life. We seek an imagination that unexpectedly seeps through the cracks of the materiality of images, enabling the generation of further images and working with material resistances as critical openings. Through research-creation processes developed with students from diverse disciplines who do not necessarily come from the artistic field, we developed pedagogical devices for materially intervening in images. We privileged video as a pedagogical tool given its essayistic character, which enabled us to generate reflective gestures that draw upon the political potency of the poor image and an amateur attitude. We present three examples of student works that address issues of gender exclusion and body politics from feminist perspectives, exploring forms of contemporary iconoclasm. The proposed pedagogies seek to activate a shared imagination that generates openings toward new collective relations. This opens the possibility to imagine futures in the face of threatened modes of existence.

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MONOGRÁFICO

Author Biographies

Edwin Culp, Universidad Iberoamericana, Ibero American University, Universidad Iberoamericana

Edwin Culp is a professor at the Center for Critical Studies in Gender and Feminisms and in the Film area of the Department of Communication at the Universidad Iberoamericana Mexico City, where he has coordinated the graduate programs in Film and Communication. His research interests encompass aesthetics and politics, critical image theory, and artistic research, with particular attention to the relationships between exclusion and representation in film and the arts.   He is the principal investigator of the project “Interfases de las imágenes. Mediación, plasticidad e imaginación política” (Interfaces of Images: Mediation, Plasticity, and Political Imagination) (2024–2026). A member of Mexico’s National System of Researchers (Level 1), he holds a PhD in Art History from UNAM and a D.E.A. (Diplôme d’Études Approfondies) in Art, Territory, and Media Culture from the Faculty of Fine Arts at the University of Barcelona.   He has been a visiting professor and researcher at the Complutense University of Madrid, the University of Castilla-La Mancha, the University of Gothenburg, the Nederlandse Filmacademie, UNAM, and the Universidad Veracruzana. He is a member of the Research Network in Live and Performing Arts (ARTEA) and works as a script and film project consultant with a gender perspective.

Esteban Reyes-Rodríguez

Esteban Reyes es historiador del arte e investigador, enfocado en los estudios críticos de la imagen visual en el campo de la fotografía. Es ingeniero en electrónica por la Universidad Nacional Autónoma de México (UNAM), maestro en arte por el Instituto Cultural Helénico y actualmente es candidato a doctor en historia y teoría crítica del arte por la Universidad Iberoamericana. También, es docente de matemáticas, forma parte del proyecto “Interfases de las imágenes. Mediación, plasticidad e imaginación política” en la Universidad Iberoamericana y coordina el “Seminario de fotografía y estrategías de representación” en el Centro Nacional de Investigación, Documentación e Información de Artes Plásticas (CENIDIAP).
Como artista visual, ha realizado múltiples exposiciones fotográficas en distintos museos, galerías y espacios culturales en México, abordando desde una perspectiva interdisciplinaria la potencia epistemológica de la imagen fotográfica, así como su capacidad para interrogar los modos de ver y construir sentido en la cultura visual. 

How to Cite

Culp, E., & Reyes-Rodríguez, E. (2026). Facing Exclusion: Towards a Critical Pedagogy of the Image. ReCIA - Journal of the Arts Research Centre, 3, 83-99. https://doi.org/10.21134/50q06p49

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