Transatlantic Leftovers. Songs of the Present, Tales of the Past and Other Journeys to the Future, Nina Hoechtl and Rían Lozano (Eds.)

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Portada del número 3 de la revista ReCIA, con imagen del grupo de investigación IAMLAb, pieza: Caos y Micelio, de 2025.
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Published: 2026-03-30
DOI: https://doi.org/10.21134/zqrctw37
Keywords:
leftovers, art-book, Itacate, colonial wound

Main Article Content

Mauricio Patrón Rivera
Instituto de Investigaciones Estéticas de la UNAM
https://orcid.org/0000-0001-8596-4834 (unauthenticated)

Abstract

Book review: Hoechtl, Nina & Lozano, Rían (Coords.). (2024). SOBRAS TRASATLÁNTICAS. Cantos de ahora, cuentos del pasado y otros viajes al futuro. Centro de Investigaciones y Estudios de Género, Instituto de Investigaciones Estéticas & Casa del Lago, UNAM.

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Article Details

Issue

No. 3 (2026): Imagining Futures: Precarious Times and Critical Narratives

Section

MONOGRÁFICO
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Author Biography

Mauricio Patrón Rivera, Instituto de Investigaciones Estéticas de la UNAM

(he) Transdisciplinary researcher. He is currently a postdoctoral fellow at the Institute of Aesthetic Research at UNAM. He holds a PhD in Literature from the University of Houston, a Master’s degree in Human Rights from the Universidad Iberoamericana, and a Master’s degree in Critical Theory and Museum Studies from the Independent Studies Program at MACBA/UAB.

  His collective work has focused on the development of ecological narratives with Topote de Acahual (2021–23); the relationship between art and community with Tepetongo. Balneario Crítico (2012–15); and pedagogical practices with the collective MANU(EL/LA) (2015–16). He has developed various pedagogical and writing initiatives for and about domestic workers, including the ongoing research project “Archiva del Arte de Mantenimiento” (Archive of Maintenance Art). He is a member of Al Tiro Podcast, Altavoces de Dignidad; has collaborated with the National Center for Professional Training and Leadership of Domestic Workers and the National Union of Domestic Workers in Mexico (intermittently between 2015–22); and is currently writing the novel Carmelita Torres y las Invasoras del Espacio (Carmelita Torres and the Space Invaders)—about the first protest in history against the closure of the Mexico–U.S. border in 1917—whose production has received support from Fundación Jumex and the Mellon Foundation.

How to Cite

Patrón Rivera, M. (2026). Transatlantic Leftovers. Songs of the Present, Tales of the Past and Other Journeys to the Future, Nina Hoechtl and Rían Lozano (Eds.). ReCIA - Journal of the Arts Research Centre, 3, 83-87. https://doi.org/10.21134/zqrctw37

References

Casa del Lago (2024). Arqueología de la sospecha: Fabulaciones Trasatlánticas. Ciudad de México. https://casadellago.unam.mx/nuevo/evento/arqueologia-de- la-sospecha

Hoechtl, Nina y Lozano, Rían. (2024). SOBRAS TRASATLÁNTICAS. Cantos de ahora, cuentos del pasado y otros viajes al futuro. Instituto de Investigaciones Estéticas y Casa del Lago de la UNAM. https://hdl.handle.net/11000/35147

Nelson, Maggie (2018). Los Argonautas. Tres puntos.

Leguin, Ursula K. (2021). La teoría de la bolsa como origen de la ficción (Trad.

Fernanda Carvajal.). Oficios varios. [Obra original de 1989]

Rincón Gallardo, Naomi (2021). Versos de porquería [Video]. https:// naomirincongallardo.net/versos_de_porqueria.html

Valencia, Sayak (2025). Del Queer al Cuir. ReCIA — Revista Del Centro De Investigación En Artes, (1), 1-18. https://doi.org/10.21134/tvnr7998