Goddess Art: Performative rituals of power and transformation in American feminist art of the second half of the 20th century.

Main Article Content

Elena Menéndez Requeno

Abstract

Goddess Art is an artistic current that had its expansion in the sixties and seventies of the last century. Within the different disciplines, performance was characterized by its connection to ritual, due to the link between Goddess art and spirituality, psychology and counterculture, giving performative actions a transformative quality. Goddess Art not only challenged the dominant power structures, taking action against androcentric symbolic domination and giving women back control over their bodies. Through the exploration of the female body, artists created new images and reconnected with the sacred, challenging religious and social conceptions. The ritualistic performances act as a space for resistance, healing and empowerment, both on an individual and collective level, and continue to be a source of inspiration for new generations of artists committed to art as a tool for experimentation, transformation and resistance.

Downloads

Download data is not yet available.

Article Details

Section

MONOGRÁFICO

Author Biography

Elena Menéndez Requeno, Independent Researcher, SP.

(she) Elena Menéndez Requeno is PhD in Fine Arts at the Universitat Politècnica de València, with a doctoral thesis entitled The Representation of the Goddess in Feminist Art of the 1960s and 1970s in the USA: Goddess Art. Master's Degree in Artistic Production from the same university, and Bachelor's Degree in Fine Arts from the University of Barcelona.

She has participated as an artistic curator in feminist collective projects under the project La Diosa en el espejo, coordinating young emerging artists of different nationalities.

She has also participated in individual and collective exhibitions in Zaragoza, Valencia, Barcelona, and abroad, in Chauen, Morocco.

How to Cite

Menéndez Requeno, E. (2025). Goddess Art: Performative rituals of power and transformation in American feminist art of the second half of the 20th century. ReCIA - Journal of the Arts Research Centre, 2, 101-116. https://doi.org/10.21134/c050k750

References

Borstelmann, Thomas (2012). The 1970s: A New Global History From Civil Rights to Economic Inequality. Princeton University Press.

Gitlin, Todd (1987). The Sixties: Years of Hope, Days of Rage. Bantam Books.

Menéndez Requeno, Elena (2024). La representación de la Diosa en el arte feminista de los años sesenta y setenta en U.S.A.: Goddess Art. (Tesis doctoral). Universitat Politècnica de València. https://riunet.upv.es/handle/10251/203268

Sendón de León, Victoria (2 de octubre de 2004). “¿Qué es el feminismo de la diferencia?” https://www.nodo50.org/xarxafeministapv/?QUE-ES-EL-FEMINISMO-DE-LA

May, Elaine Tyler (1988). Homeward Bound: American Families in the Cold War Era. Basic Books.