A strange enemy Representations of the '68 Student Movement in Mexican Fiction On Demand
Main Article Content
Abstract
"October 2 is not forgotten." This slogan synthesizes the demand for memory around one of the darkest events in recent Mexican history: the massacre in the Plaza de las Tres Culturas de Tlatelolco, in 1968.
On October 2, 2018, as part of the commemoration of the 50th anniversary of these events, was released Un extraño enemigo, a political thriller that describes the emergence and development of the 1968 student movement in Mexico. The series was produced by Televisa and distributed worldwide through Amazon Prime Video.
In this paper, the representation of the student movement constructed in the series is critically analyzed and - from that - attempts to explore how the use of the fictional representation of the past can be linked to broader strategies of cultural and political legitimation of television.
The series is approached as a textual event, whose social functioning is articulated in relation to other texts and discourses (Couldry, 2000). On the one hand, are analyzed a set of promotional and journalistic paratexts through which the preferred meanings of the series were socially positioned and, on the other hand, are examined the meanings about the past constructed in it.
Downloads
Article Details
Issue
Section

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 Unported License.
Miguel Hernández Communication Journal is an open access magazine. To publish on MHCJ, the authors accept the following terms:
- The authors will retain their copyright and guarantee the journal the right to first publish their work, which will be simultaneously subject to the Creative Commons Atribución/Reconocimiento-CompartirIgual 4.0 Internacional, which allows third parties share the work as long as its author and his first publication in this magazine are indicated.
- Authors may adopt other non-exclusive license agreements for the distribution of the version of the published work (eg, deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this journal is indicated .
- Authors are allowed and recommended to disseminate their work through the Internet (e.g., in institutional telematic archives or on their website) before and during the submission process, which can produce interesting exchanges and increase citations. of the published work. (See The effect of open access).
- The document RESIGNATION OF PERCEPTION OF BENEFITS OF COPYRIGHT is intended for the print publication of MHCJ by the UNIVERSITAS publishing house. Both authors and publishers renounce the collection of economic benefits, if any, when the aforementioned publisher takes over the entire cost of printing, distribution and dissemination.
How to Cite
References
Allier, E. (2009). Presentes- pasados del 68 mexicano. una historización de las memorias públicas del movimiento estudiantil, 1969-2007. Revista mexicana de sociología, 2, 287–317. http://www.scielo.org.mx/pdf/rms/v71n2/v71n2a3.pdf
Allier, E., & Vilchis, I. (2017). México, 1968: violencia de Estado. Recuerdos del horror. Theomai, 36, 78–94. https://www.redalyc.org/articulo.oa?id=12453261006
Almaraz, L. (2018). ¿Quieres saber qué pensaban Díaz Ordaz y Luis Echeverría en el 68? Cultura Colectiva. https://news.culturacolectiva.com/mexico/un-extrano-enemigo-la-serie-de-amazon-que-habla-de-los-politicos-en-el-68/
Ampudia, L. (2018, octubre 2). ‘Un extraño enemigo’: Estrena serie inspirada del movimiento del 68. Milenio Hey! https://www.milenio.com/espectaculos/television/extrano-enemigo-provoca-reflexion-movimiento-68
Aristegui, C. (2018, septiembre 25). Crisis llevó a Televisa a producir serie del 68; regulación de drogas no resolverá violencia: Giménez Cacho. Aristegui Noticias. https://aristeguinoticias.com/2509/mexico/crisis-llevo-a-televisa-a-producir-serie-del-68-regulacion-de-drogas-no-resolvera-violencia-gimenez-cacho/
Ávila, F. (2018, septiembre 26). “Un extraño enemigo”, supremacía política. Excelsior. https://www.excelsior.com.mx/funcion/un-extrano-enemigo-supremacia-politica/1267520#view-1
Avilés, J. (2015). Símbolos para la memoria: el movimiento estudiantil mexicano de 1968 en su cine 1968-2013. UNAM.
Bolado, C. (2012) (Director). Tlatelolco, verano del 68. [Serie de televisión]. FIDECINE, Producciones Corazón, UNAM.
Brinker, F. (2012). Hidden Agendas, Endless Investigations, and the Dynamics of Complexity: The Conspiratorial Mode of Storytelling in Contemporary American Television Series 1. Aspeers, 5, 89–109. http://www.aspeers.com/sites/default/files/pdf/brinker.pdf
Buonanno, M. (2013). The transatlantic romance of television studies and the ‘tradition of quality’ in italian TV drama. Journal of Popular Television, 1(2), 175–189. https://doi.org/10.1386/jptv.1.2.175_1
Buonanno, M. (2018). Widening landscapes of TV storytelling in the digital media environment of the 21st century. Analisi, 58, 1–12. https://doi.org/10.5565/rev/analisi.3133
Casas, A., & Flores, L. (2018). Between memory and oblivion: October 2, 1968. Revista Mexicana de Ciencias Politicas y Sociales, 63(234), 201–214. https://doi.org/10.22201/fcpys.2448492xe.2018.234.65717
Castrillo, P., & Echart, P. (2015). Towards a narrative definition of the American political thriller film. Communication and Society, 28(4), 109–123. https://doi.org/10.15581/003.28.4.109-123
Couldry, N. (2000). Inside Culture_ Re-imagining the Method of Cultural Studies. SAGE PublicationsSage UK: London, England.
Cueva, A. (2018, octubre 2). Crítica a ‘Un extraño enemigo’. Milenio. https://www.milenio.com/opinion/alvaro-cueva/el-pozo-de-los-deseos-reprimidos/critica-a-un-extrano-enemigo
del Castillo, A. (2008). El movimiento estudiantil de 1968 narrado en imágenes. Sociológica, 23(68), 63–114.
Edgerton, G. (2020). The Past Is Now Present Onscreen: Television, History, and Collective Memory. En J. Wasko & E. R. Meehan (Eds.), A Companion to Television (Second, pp. 79–104). Wiley-Blackwell.
Fons, J. (1989) (Director). Rojo Amanecer. [Película]. Cinematográfica Sol.
González de Alba, L. (1971). Los días y los años. Ediciones Era.
González de Alba, L. (2016, octubre 11). González de Alba y el 68: En el Consejo Nacional de Huelga no hubo traidores. Proceso.
Gray, J. (2010). Show sold separately. Promos, spoilers and other media paratexts. New York University Press.
Gurrola, A. (2010) (Director). Borrar la memoria. [Película]. Magenta Films, Sula Films.
Gutiérrez, V. (2018, octubre 1). Un Extraño Enemigo hace historia en la televisión | El Economista. El Economista. https://www.eleconomista.com.mx/arteseideas/Un-Extrano-Enemigo-hace-historia-en-la-television-20181001-0130.html
Jurado, D. A. (2018). Catástrofe, mito y melodrama en Rojo amancer. El ojo que piensa, 17, 63–77. http://www.elojoquepiensa.cucsh.udg.mx/index.php/elojoquepiensa/article/view/294
Kansteiner, W. (2018). History, memory, and film: A love/hate triangle. Memory Studies, 11(2), 131–136. https://doi.org/10.1177/1750698017754167
López Arretche, L. (1968) (Director). El Grito. [Película]. CUEC-UNAM.
Loret de Mola, C. (2018, octubre 2). Un extraño enemigo. El Universal. https://www.eluniversal.com.mx/columna/carlos-loret-de-mola/nacion/un-extrano-enemigo
Merino, J. (2018, octubre 1). “El 2 de octubre no se olvida”, la trama central de la serie “Un extraño enemigo” de Amazon Prime. CNN. https://cnnespanol.cnn.com/2018/10/01/el-2-de-octubre-no-se-olvida-la-trama-central-de-la-serie-un-extrano-enemigo-de-amazon-prime/
Mittel, J. (2015). Complex TV. The poetics of contemporary television storytelling. New York University Press.
Monsiváis, C. (1970). Días de guardar . Ediciones Era.
Monsiváis, C. (1978). 1968: Dramatis personae. En México, una democracia utópica: el movimiento estudiantil del 68 (11a ed., pp. XI–XXIV). Siglo XXI.
Newmann, M. Z., & Levine, E. (2012). Legitimating Television. Media Convergence and Cultural Status. Routledge. https://doi.org/10.1017/CBO9781107415324.004
Poniatowska, E. (1971). La noche de Tlatelolco: Testimonios de historia oral. https://profesorisaacgarciariosestuamigo.files.wordpress.com/2012/04/la-noche-de-tlatelolco.pdf
Ricoeur, P. (2006). La Vida: un relato en busca de narrador. Agora: Papeles de filosofía, 25(2), 9–22.
Ripstein, G. (2018) (Director). Un extraño enemigo. [Serie de televisión]. Televisa/ Amazon Prime Video.
Vázquez Mantecón, Á. (1998). No se olvida ... Rojo amanecer. Estudios Interdisciplinarios de América Latina y el Caribe, 9(1), 141–144. http://eial.tau.ac.il/index.php/eial/article/view/1100/1132
Ruiz Berruecos, N. (2018, octubre 4). Ficciones permitidas ante el 2 de octubre: Un extraño enemigo. Nexos. https://cultura.nexos.com.mx/ficciones-permitidas-ante-el-2-de-octubre-un-extrano-enemigo/
Vértiz, C. (2018a, agosto 10). La serie de Bolado sobre el 68, ocho años guardada. Proceso. https://www.proceso.com.mx/reportajes/2018/8/10/la-serie-de-bolado-sobre-el-68-ocho-anos-guardada-210227.html
Vértiz, C. (2018b, octubre 13). Con Un extraño enemigo Televisa da el cambiazo. Proceso. https://www.proceso.com.mx/555147/con-un-extrano-enemigo-televisa-da-el-cambiazo
White, H. (2010). Ficción histórica, historia ficcional y realidad histórica (pp. 169–182, 203–216). Prometeo Libros.
Zermeño, S. (1978ª, septiembre 1). 1968. Los demócratas primitivos. Nexos, Septiembre. https://www.nexos.com.mx/?p=3200
Zermeño, S. (1978b). México, una democracia utópica: el movimiento estudiantil del 68. Siglo XXI.